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Reviews of productions directed by Vicky Featherstone.
who will be the inaugural Director of the National Theatre of Scotland from November 1 2004.


EdinburghGuide reviews of shows she has directed for Paines Plough and Graeae.
also
Other shows
she has and will directed elsewhere.
Background

Vicky Featherstone's NToS appointment - News and reaction.

Reviews
The Drowned World by Gary Owen. seen 2003.
Company - Paines Plough in assoc. with Graeae.
Tiny Dynamite by Abi Morgan. seen 2002
Company - Paines Plough.
Crazy Gary's Mobile Disco by Gary Owen seen 200 .
Company - Paines Plough.
Splendour by Abi Morgan. seen 2001
. Company - Paines Plough.

The Drowned World by Gary Owen. Company - Paines Plough in assoc. with Graeae.
Seen at the Traverse Edinburgh as part of their 2002 Fringe Programme.
Reviewer Daniel Winterstein.

Paines Plough in association with Graeae's new show is a masterpiece of black humour. Torture, murder and the extinction of the human race (in the most miserable way) are all are grist for Gary Owen's dark jokes. Drowned World presents a brutal totalitarian state where surface beauty is all that matters. The ugly people have taken control, and are exterminating all who are beautiful. Why, they reason, should they be reminded of their failings?

The title is probably a reference to Victor Hugo's comment that ideas and values cannot be killed anymore : "The new world which emerges from the chaos will see the ideas of the drowned world soaring above it, winged and full of life." The triumphant ugly people have not found freedom - they are still trapped by their old failings and selfish desires.

If I have to fault this play - and I am hesitant to do so - it would be that it hits out at an easy target (the worship of beauty and the destructive shame associated with being ugly), and that none of the characters are ever properly fleshed out into believable people.

The plot, which revolves around a couple on the run, has lots of tension, driving the play along at a fair rate. The set fits this strange dark fantasy well. It has - appropriately enough - a slightly creepy underwater feel. The style is disjointed, freely mixing different locations together, and frequently switching between dialogue and narration. This suits the dry humour of the play which the cast deliver perfectly. The result is very nasty, and very funny.
© Daniel Winterstein. 5 August 2002 - Originally published on EdinburghGuide.com in Festival Section.
The text is published by Meuthen Drama www.methuen.co.uk

Tiny Dynamite by Abi Morgan.
Company - Paines Plough.
Seen at the Traverse Edinburgh as part of their 2001 Fringe Programme.
Reviewer
Thelma Good.

This is a quietly moving play whose fine actors Scott Graham, Steven Hoggett and Jasmine Hyde bring to life a story quiet but powerful in its effect. It lets you glimpse how odd things are to someone who doesn't understand them like so called normal people do.

Anthony encounters lightening at the age of six and his take on the world is permanently changed, he becomes obsessed with freak accidents. His friend Lucien the shy boy tries to look after his disconnected friend. In adulthood their relationship is still like very young boys. The current between them changes when they encounter Madeleine at the holiday resort they are staying at.

With a simple set of a diagonally planked square and a background of dangling light bulbs, this first production of Abi Morgan's new play is visually satisfying in its simplicity. Directed by Vicky Featherstone it's interweaved narrative shows the confusion which can happen in a person whose view of reality is subtly different from our own. This play and its production's beauty and depth contains a scene of such intensity to make the hairs of on your arms stand up on end. On till 25 not 13 at various times
© Thelma Good 5 August 2001
- Originally published on EdinburghGuide.com in Festival Section.

Splendour by Abi Morgan. Company - Paines Plough.
Seen at the Traverse Edinburgh as part of their 2000 Fringe Programme.
Reviewer
Thelma Good.

Four women wait in a affluent home for a man to arrive. One is his wife, another is her friend, the other two are strangers- a photographer and her interpreter. Abi Morgan's characters talk as they wait, sometimes to each other, sometimes to themselves. At times the dialogues goes back on itself and starts again an exchange that we have heard before. As the play progresses the rewind and replay buttons are pressed more often until it becomes tenser and tenser, and more and more disturbing.

This is an extremely well cast production of a play where the actors, Mary Cunningham, Faith Flint, Myra McFadyen and Eileen Walsh, directed by Vicki Featherstone combined to make a fascinating text absorbing theatre. It captures so well the way women relate, using words and body language, at first with a bland courtesy and then the fingernails slowly emerge to become honed talons.

My only reservation is about the set which had a swimming pool bottom as the floor, on which were placed some items of posh furniture and above was hung the rim of a swimming pool. Whilst it is mentioned in the text I don't think that the very realistic look of the swimming pool rim quite worked as well as a rather more stylised one would have done.
© Thelma Good August 2000 - Originally published on EdinburghGuide.com in Festival Section.

Other Major productions that Featherstone has directed for Paines Plough include - On Blindness by Glyn Cannon, The Cosmonaut's Last Message To The Woman He Once Loved In The Former Soviet Union by David Greig, Crave by Sarah Kane; Sleeping Around by Stephen Greenhorn, Hilary Fannin, Abi Morgan and Mark Ravenhill; and Crazyhorse by Parv Bancil.

Next year, Ms Featherstone with Paines Plough is due to launch a season "This Other England" of four world premieres at the Menier Chocolate Factory in London by Enda Walsh, Philip Ridley, David Greig and Douglas Maxwell. David Greig's and Douglas Maxwell's plays are co-productions with The Tron, Glasgow, and Dundee Rep respectively and will be seen in those theatres. Also starting next year is the off-Broadway production of Abi Morgan's Tiny Dynamite, also directed by Featherstone, and a children's opera, developed with Improbable Theatre.

Ms Featherstone's recent awards include two prestigious TMA (Theatrical Management Association) Awards in 2001 for Best Play and Best Director for Splendour; and three Fringe First Awards - in 2003 (The Drowned World), 2001 (Splendour) and 1999 (Riddance).

Vicky Featherstone's NToS appointment - News and reaction.

Background of Vicky Featherstone - She spent much of her early childhood in Scotland, attending primary school in Alva, Clackmannanshire, before moving to India with her family. She has worked in Scotland for a significant part of her career and has spent many years forming fruitful relationships and collaborations with established Scottish writers such as David Greig, Douglas Maxwell, Gregory Burke, Mike Cullen, Stephen Greenhorn, David Harrower and Linda McLean, to produce some of their most exciting work. Linda MaLean and David Grieg both have work being produced by the Traverse Theatre company and premiering at the Traverse in Edinburgh at the 2004 Fringe.

Ms Featherstone is also well known as a champion of other world-class writers, including Mark Ravenhill, Sarah Kane, Abi Morgan and Gary Owen. Her extensive international work includes international tours with Paines Plough and master-classes for foreign companies visiting the UK. She recently directed Caryl Churchill's A number for the National Theatre of Slovenia and has worked in Mexico, Finland, Sweden, Italy and Lithuania.

Vicky Featherstone's NToS appointment - News and reaction.

Theatre Editor, Thelma Good's e-mail is thelma@edinburghguide.com

Although every effort has been taken to ensure the accuracy of the information presented in these pages, no responsibility can be accepted for any errors or omissions.

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