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Blood Brothers - Musical
Playwright Willy Russell
Venue - toured Edinburgh Festival Theatre, 13/29 Nicolson St, Edinburgh
9 - 21st Oct 2001
Reviewer Thelma Good

I enjoyed this moving, comic and tragical musical even though it shows us the ending at the start and the first few scenes are underpowered. Blood Brothers really takes off after we meet Mickey aged seven, played by Chris Lennon, who tears onto the stage and into our hearts.

Mickey Johnstone, lives with his elder brother Sammy, played wickedly by Daniel Taylor, and the rest of their family and friends - "on easy terms, drawing on the never-never in the here and now" in the slums of 60s Liverpool.

In the earlier scenes, before Mickey arrives, we meet his mother, Mrs Johnstone who is always pregnant. Mrs Johnstone goes to work for posh Mrs Lyons, who never is in the family way. And then Mrs Lyons finds out that Mrs Johnstone is expecting twins. The two desperate women, make a binding pact before they are born. The boy twins, Mickey and Eddie are separated soon after birth, and are not to be told of the other's existence.

Eddie Lyons, the blood brother, is played with the wonderful strange gaucheness which posh kids have when out of their element by John Cusworth. Eddie encounters Mickey in the park and later, discovering they share a birthday, they make a bond of their own. Mickey's friend Lucy, played by Rebecca Reaney, completes the excellent young leads of this very strong cast who all sing and act humour and tragedy equally well.

Willy Russell's Blood Brothers gives us fun, lively, truthful scenes of lives in two different social classes, as the brothers grow up meeting infrequently through the 60s to the 70s, and moving from urban decay to rural estates. There are songs which point up the recurring patterns of life and a narrator who gives an awful, godlike menace as he oversees the story. Blood Brothers builds to a tense climax which shocked and moved the audience on its first night in Edinburgh, drawing us to our feet in tumultuous applause.

© Thelma Good 9 October 2001

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