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Epic - British Premiere

Playwright - Declan Gorman
Director - Declan Gorman
Designer - Paul O'Mahony
Movement Director - Carina McGail
Sound Designer - John Ruddy
Company - UpState Live - Upstate Theatre Project Ltd - From Irish Republic
Cast see end of review
Venue - Traverse Theatre Edinburgh BO 0131 228 1404
Dates & Times - 6 - 10 Nov at 8pm
Post Show discussion with playwright on 7 November 2002
Reviewer - Annabel Ingram

Exploring myth and tragedy in modern life.

Tragedy is the most ancient form of theatre. The community experience of events beyond their control or much bigger than themselves and the struggle to comprehend, survive and resolve them take a unique place in human consciousness. Epic portrays the struggle of the community of the Cooley Peninsula in the wake of the foot and mouth crisis of 2001. We meet all forms of life in this community; the farmers, civil servants sent to control the outbreak, self-destructive teenagers, a journalist and her solace seeking daughter, and the spirits of the land who take forms as diverse as birds, maggots, dragons and whales.

The message here follows the myth of the curse of Macha; a goddess forced to run a race against a horse when she is heavy with twins. She gives birth on the finishing line and curses the men of Ulster to labour-like pains whenever they are in greatest need. The perversion of intensive farming and men's greed in general, is punished by the plague brought to the land by a black market trade over the border. Mimicking the biological destruction, a virus infects the civil service files when a degraded civil servant Ray 'accidentally' opens one of those emails we all get warned about on a regular basis.

Reliably strong and even, the four performers each play between five and nine characters with considerable ease and remarkable depth of characterisation. Sinéad Douglas deserves particular commendation for her range of female characters from young teenage girls of varying backgrounds and maturities to ancient women farmers campaigning for fair compensation and the high powered journalist, following the story as it unfolds.

Epic is a lesson in clear presentation. With a company of only four actors and a simple set, moved by the actors to suit their purposes, they create an array of times, places and atmospheres. However the sheer number of storylines introduced in the first half makes the action somewhat difficult to follow. And does the volume on the narrator's microphone and the techno blasting out at regular intervals need to be quite so loud? That said this is an intelligent approach to the group's agenda of exploring myth and tragedy in modern life. Thought provoking and intriguing, despite its excessive storying in the first part it becomes a strong piece of theatre.
© Annabel Ingram 8 November 2002 - Published on EdinburghGuide.com

Cast:
Sinead Douglas
John Ruddy
Kieran Hurley
Brendan McCormack

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