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Fermentation - adapted from Angelica Jacob's novel Fermentation

Director and Adaptor - Ben Harrison
Set Designer - Catherine Lindow
Costume Designer - Alice Bee
Composer - Phillip Pinsky
Lighting Designer - George Tarbuck assisted by Andrew Coulton
Technical Manager - Paul Clayton
Company - Grid Iron
Venues + Dates -
Glasgow
The Briggait Market
31 Jan 02 - 9 Feb not Sun at 8pm
Tickets in advance
0141 429 0022
Edinburgh The Underbelly Cowgate 12 - 16 Feb at 8pm
Tockets
in advance 0131 473 2000

For over +18s tickets on door 15 mins before or in advance from tele nos for each city
Run Time - just under 2 hrs but feels like a lot less
Reviewer - Thelma Good

Joyous, sureal, sensuous journey

Lust, love, dreams and cheese are fired together in director Ben Harrison's adaptation of the novel Fermentation. Odissa a young writer arrives in a French town starting to sizzle in the early heat of April. She watches a fire eater in the square . Later in a cafe he rubs an ice cue over her skin and she feels the stirrings of an inner fire. Performed in Glasgow's former fish market the Briggait, this promenade performance transforms its spaces, taking us not only to France but into the strange, potent dreams which Odissa has.

Serge and Odissa are playful, taunting, sometimes tender lovers. Charlie Folorunsho who plays Serge is tall and black, Cait Davis who plays Odissa is small and white. Their physical difference underlines both visually and metaphorically that a man, even someone a woman reaches summits of desire with, is also still other. Davis's Odissa is breathtakingly delicate as a woman whose sensuality retains near virginal purity as she swells with new life. Folorunsho gives Serge a strongly attractive dangerous surface, just hinting at Serge's inner immaturity.

Craving for cheese Odissa begins to swell like one. She returns repeatedly to a cheesemonger, an older, wiser man who knows the world through his cheeses. In the Cheesmonger's character Chris Craig has already found depth, pathos and humour despite having only taken on the part just before the production's delayed opening night. As the summer goes on Odissa's dreams intensify and are wonderfully seen and, on occasion participated in by us the audience. In these dreams appears the other woman Justine, Itxaso Moreno her sensuality is darker, exotic yet frail.

Each character is complex and compelling, Harrison's cast give performances to match, making Fermentation a joyous, sometimes baroque journey into humanity's strong urges and the strangeness of dreams. It's theatrically enthralling with finely varied music by Phillip Pinsky, the percussion played live by Guy Nicolson. My only quibble is with a few clumsy props in an overall well crafted production. That aside Grid Iron's creative and technical team show their skills are fermenting and distilling into the spirit of theatre where time means nothing. It's just like being deeply satisfied by a great lover or a great cheese.
© Thelma Good 31 January 2002
I intend to see this production again when it goes to very appropriately named Underbelly in Edinburgh.

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