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Gagarin Way

Playwright - Gregory Burke
Director - John Tiffany
Designer - Neil Warmington
Lighting Designer - Chahine Yavroyan
Music - Mick Slaven
Company - Traverse Theatre Company in association with the Royal National Theatre Studio
Venues & Dates - see end of review
Reviewer - Thelma Good

Edgy and caustically, accurately funny

First seen prior to the downing of the twin towers, Gregory Burke's Gagarin Way, here on a national (i.e. Scottish) tour before it goes to Norway and Sweden, has at least all of the impact of the original production, even with some changes. Set in the fair kingdom of Fife, it contains within it four male characters who might all be going nowhere in this world of multinationals and global marketing.

Paul Thomas Hickey's Eddie isn't quite as mentally sharp as the original actor in this role Nardone's Eddie but as a result Hickey's Eddie's cod philosophic musings, culminating in his unemotional actions are all the more disturbing. Eddie's waiting for Garry, his socialist co-worker. Waiting with him is the graduate security guard Tom, Michael Moreland. Tom is being obliging letting some boxes go out the back while he's on night shift. Tom's the kind of stupid graduate we're all too familiar with, qualified for f*** all and ignorant of the world.

Eddie's certainly streetwise, Garry, Billy McElhaney, his partner is politically so far left he's well off the New Labour radar, like Eddie he thinks he wants a real challenge. Frank is played by John Stahl, the businessman who falls into their plan, but he's not the wrong kind, not a foreigner, not even a toff. F*** he even speaks like them when he finally comes round. McElhaney and Moreland have been with this production since it premiered to much critically acclaim at the Edinburgh Fringe in 2001, John Stahl joined it when the production moved into the West End after its Royal National theatre run and Hickey has joined the cast to replace Michael Nardone who was the original Eddie.

John Tiffany's direction has altered a little from the original and I was pleased to see the pointless 4 struck poses and harsh lighting which interrupted the play's powerful movement have been dropped from this touring production. Edgy and caustically, accurately funny Burke's script takes a gut deep dig into our Scottish political pomposity and exposes our frailty, our hypocritical underbelly, exposing it to acid comedy and disturbing action. As a reflection of the political and physiological messes many of us are in it's spot on. It is also a tense dramatic evening which theatre rarely delivers, backed by an excellent production and tightly written play. Worth seeing agin or for the first time.
© Thelma Good 28 August 2002
Reviews of the original production and the London West End production
The text can be purchased from the Traverse and is published by Faber
2002 Scottish Tour of Gagarin Way
20 - 24 August Inverness Eden Court Theatre 01463 234234
27 - 31 August Dundee Rep 01382 223530
3 - 7 Sept Aberdeen His Majesty's Theatre 01224 641122
10 - 14 Sept Kirkcaldy Adam Smith Theatre 01592 412929
18 - 21 Sept Edinburgh King's Theatre 0131 529 6000
24 Sept - 5 Oct Glasgow Citizens 0141 429 0022
End of tour in Scotland but it goes on to Norway and Sweden

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