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The Hobbit
Adapted from Tolkein's book The Hobbit by Glyn Robbins
Book - J R R Tolkein
Director - Roy Marsden
Set Designer - David Shields
Costume Designer - Abigail Hammond
Composer and Sound Designer - Mark Bloxsidge
Choreographer - Stephanie Carter
Lighting Designer - Robin Carter
Fight Director - Nicholas Hall
Magic Consultant - Ali Bongo
Venue - Edinburgh Playhouse www.edinburgh-playhouse.co.uk
0870 606 3424 (national call rate applies)
Top of Leith Walk, 5 mins from back door of John Lewis

Dates - 19 - 23 June at 7:30pm Matinees - 20 & 21 June at 2pm 23 June at 2:30pm
Reviewer - Brett Sheffield

This production follows Tolkien's book closely, from the unexpected party at Bilbo Baggins' Hobbit hole, to the Battle of Five Armies at Lonely Mountain. The tale is set in Middle Earth, where a party of thirteen dwarfs (cut down to a more manageable five on stage) set out to reclaim their people's treasure from the dragon Smaug.

James Earl Adair, mysterious and powerful as Gandalf the Wizard guides them for part of the way, first by choosing for them a burglar companion in the form of the Hobbit, Bilbo Baggins played by Michael Geary with humorous Hobbitlike charm. Bilbo, like most Hobbits, is a reluctant adventurer who is more interested in getting home in time for tea than battling dragons in strange lands.

The Hobbit wastes no time in drawing the audience in with fantastic lighting, special effects and dramatic sound. This is kept up throughout, although the choice of music is a bit disappointing, particularly during the fight scenes. Combined with the goblin's shell- like armour and dancing fight-moves they appear for some moments to have crossed to the set of the Mutant Ninja Turtles.

Seamless scene changes are achieved, with cleverly constructed sets, reused and repositioned together and differing lighting, to create the various places they journey to. The costumes of the party themselves - the Hobbit, the dwarfs and Gandalf are excellent. It is a pity that Tolkein's beautifully detailed description of elves and their fair language is replaced with a guttural speaking and poorly dressed Elrond.

For anyone who still has a bit of child within, The Hobbit is ideal entertainment.
© Brett Sheffield 2001

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