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Without A Trace - Tour and European Premiere

Playwright - Carol K Mack
Director - Gerda Stevenson
Designer - Richard Aylwin
Lighting Designer - Gerry Jenkinson
Composer - Dee Isaacs
Music Director - Hilary Brooks
Company - Sounds of Progress
Venues & Dates - see end of review
Seen to review at Tron Theatre
Run Time - 2 hours 13 mins including 15 mins interval
Reviewer - Thelma Good

Bitty structure exacerbated

Sink without a trace isn't what this play does, indeed the flaws of the play increased by the production's ones may leave annoying scars with some people. This Company was formed to ensure that differently abled performers aren't marginalised. Oddly the Sign Language Interpreter was stuck over at the side rendering it impossible to see the play and the intrepreter together, and this isn't the only instance of how the production as well as the play lacks a real understanding of what it is to live in a world differently percieved.

Without A Trace is based on Maria Theresa Paradies who could play the piano like a virtuoso even though she became blind as young child. After she was subjected to various unsuccessful attempts to restore her sight, Mesmer cured her but she lost the ability to play. Nowadays doctors would say it was a psychological blindness. Mack's play purports to explore the way we still try to fix so called imperfections and yet still are no nearer to understanding creativity. It's not a well structured play, half heartedly it tries to expose the core of the story including the world's often disastrous"good" intentions towards the differently abled. By sticking so closely to the true story Mack hinders its dramatic possibilities. Ironic when she aimed to celebrate the metaphorical force of creativity which often illuminates more than raw, actual incidents and speeches.

The play's bitty structure is exacerbated by the musical performers having to move into position before each of the production's musical interludes and over punctuating the action. With a piano and musicians as well as the sign language interpreters to accommodate on stage in addition to the professional actors and the vast mirror, the director never works out a coherent feel for the production. Most unfortunately the differently abled aspects of the production are visually marginalised to the sides. I can understand why the subject matter attracted this company but the play doesn't even lend itself to the strengths of this company, whose stated aim is to integrate. I left scared again by the sharp blade of knowing that it is seems hard for the able to reflect or illuminate our differently abled lives.
© Thelma Good 17 September 2002. - Published on EdinburghGuide.com

Review of pervious Sound of Progress show toured in 2001
A Wee Bit of How Do You Do

Sounds of Progress's production of Without A Trace
Tour Starts
17 - 21 September at 8pm Glasgow Tron Theatre, 0141 552 4267
25 and 26 Sept at 8pm Edinburgh Traverse Theatre 0131 228 1404 or online at www.traverse.co.uk
27 September at 7.30pm Dumfries Theatre Royal, 01387 247780
28 September at 7.30pm Stirling Tolbooth 01786 274 000
3 October at 7.30pm Aberdeen Lemon Tree 01224 42230
4 and 5 October at 7.30pm East Kilbride Village Theatre 01355 248 669
Tour Ends


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