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Intermission : a tale of loss and regret. - World Premiere.
Part of Arches Live! and an Arches New Work Commission.

Devised and performed by - Julie Brown and Johnny McKnight. With announcements by Chris Young.
Designer - David Sneddon.
Lighting Designer - Mark Ritchie.
Music - Marton Docherty.
Choreographer - Chris Wilson.
Company - Random Accomplice.
Venue -The Arches ww w.thearches.co.uk 253 Argyll St Glasgow 0141 565 1023
Dates - 13 - 15 September at 8.30pmish you can see it with UBU as they helod the performance.
Run Time - 45 mins with no Interval.
Reviewer - Thelma Good.

Unsettling limbo.

Entering the Arches studio the corridor is like an old theatre's with red flock walls and framed ancient billboards. On the stage is a squint ornate gilded frame set at the back with slightly holey blue velvet curtains. The stage slopes not only from front to back but also from side to side, old fashioned brass shell footlights run along its front edge. Behind you glimpse two doors with silver stars on them, Johnny is written on one, Julie on the other.

Julie believes in Dr Theatre, that the show must go on, Johnny is tired. And good though parts of this show is, the hints that it draws on the performers own lives is unsettling. They are both appealing actors, and when the play hints at troubles with in the two characters relationship there's an almost inevitable assumption the audience will make - that this is a public dirty linen washing. It's not a way to make audience comfortable with a peice indeed it's almost always a mistake, no I'll repharse that, it's always a mistake when devising to call your characters by the actors' real names - it leaves the audience in an unsettling limbo.

But it does have some highly entertaining moments as this theatrical couple take us through how they got on stage, and the routines they do. There's a couple of dance ones to delight and Julie's blue leotard and rainbow leg warmers are a sight to behold. There's a suggestion that they're also several of those who've found the theatre too strong to resist over the centuries, but it's not strongly enough developed for the audience to relate to.

It's a new work which hasn't quite got out of the development process yet, but the delivery and performance please none the less.
© Thelma Good 13 September 2004. - Published on EdinburghGuide.com

EdinburghGuide Review of Random Accomplice's earlier piece - Nothing To Fear Anymore.

Theatre Editor, Thelma Good's e-mail is thelma@edinburghguide.com

Although every effort has been taken to ensure the accuracy of the information presented in these pages, no responsibility can be accepted for any errors or omissions.

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