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Edinburgh International Festival - Opera, Music and Dance
2003 Edinburgh International Festival Music Preview

Opera

Apart from the already-sold-out complete Ring cycles, all of the operas offered in 2003 are concert performances. This, in itself, isn't necessarily a bad thing because most opera audiences are able to compare these with full scale productions but it does colour the experience of those rarely-performed operas now on offer . These rare operas don't offer the same opportunity.

Catherine Naglestad
For example Handel's Amadigi of 1715 (full title: Amadigi di Gaula and adapted by his librettist Haym from Lully's Amadis de Gaul) is set in ancient Thracian palaces and gardens and is a magical tale of two lovers who, having been beset by magicians, Furies and demons, finally live happily ever after. It was premiered on 25 May against a turbulent background. George I had arrived in England only nine months before, following Queen Anne's death. By the end of July the opera house was closed because of the first Jacobite Rising to reclaim the throne for the Stuarts. It was to be a year before Amadigi was revived. A modern concert performance will be a very different experience but does that matter?

Poro (full title: Poro, Rè dell'Indie) was written in 1731 when Handel was 46 years old, well established in England and at the height of his powers.The unknown librettist adapted the story from Metastasio's Alessandrio nell'Indie so it, too, is a Greek tale: that of Alexander the Great's confrontation with and conquering of Poro, ruler of India. It was such a success that it was revived twice. A year later Handel was to write the first English oratorio, Esther.

Music

Festival audiences will be able to hear the Usher Hall's newly-restored organ because it features in the Opening Concert's Glagolitic Mass, then later as a solo instrument when Thomas Trotter plays a Messaien programme, where it should shine in all its splendour and power.

Paul Anderson
It's good to see that young Scottish-based talents are also included. The gifted young North East fiddler Paul Anderson makes the leap from the Fringe to join Lisa Milne, David McGuiness and Wendy Stewart on stage for an evening of Scottish music. The National Youth Choir of Scotland will take part in the BBC Scottish Symphony Orchestra's programme of Messiaen under the baton of their exciting young conductor Ilan Volkov.

The Far East is in this year's spotlight with music from Japan, China, Korea and India. By far the most exotic, and least known, is the music of Korea, so we can look forward to unusual instruments and musical traditions such as Pansori, the combination of storytelling and music, where one performer plays all the characters of traditional stories and is also the singer accompanying the traditional drums. Ranging in time from two hours long to 5.5 hours, the audiences will be helped to concentrate and understand the action with the help of the English supertitles.

Composers such as Mahler - with three of his symphonies, Beethoven - with all of his string quartets over three performances and Elliott Carter, with all five of his string quartets in one performance, are featured.

The Los Angeles Philharmonic extend their stay this year to a whole week. The Bamberg Symphony Orchestra offer the massive Strauss Alpine Symphony contrasted with a contemporary work by Helmut Lachenmann. By the time the Fireworks Concert arrives, a dizzying variety of musical offerings will have come and gone, from the familiar and well-loved to the contemporary and the exotic.

Dance

San Francisco Ballet
The smash hit San Francisco Ballet are here for three days and are accompained by the RSNO (the Royal Scottish National Orchestra) throughout. This year they present a World Premiere new ballet by Christopher Wheeldon.

Culberg Ballet presents innovative modern ballet. Compagnie François Verret give two performances of a work based on the cult novel The man without qualities by Robert Musil. Bordeaux Opera Ballet recreate the thrilling, exciting times of the Ballets Russes in the 1920s and 30s.

For direct online booking: http://www.eif.co.uk/2001/frameset.html

Thelma Good's EIF Theatre Preview

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