Scottish National Portrait Gallery Re-opens After £17.6 Million Transformation

The Scottish National Portrait Gallery re-opens this Thursday (1 December), following a £17.6m restoration project and with an entirely new presentation of its world-famous collection.

The project – the first major refurbishment in the Gallery’s 120-year history – has restored much of the architect’s original vision, opening up previously inaccessible parts of the building and increasing the public space by more than 60 percent. 

It has also added a range of new facilities that will transform visitors’ experience of the Gallery.  Entry to the new Portrait Gallery will be completely free.

First of its kind

The Scottish National Portrait Gallery opened in 1889 as the world’s first purpose-built portrait gallery and is now an iconic landmark in the heart of Scotland’s capital. 

Over the past century, its collection of portraits has grown to become one of the largest and finest in the world, comprising 3,000 paintings and sculptures, 25,000 prints and drawings.

The distinctive red sandstone building, near St Andrew Square, also houses the national collection of photography with some 38,000 historic and modern photographs.

For the first time since the Gallery was established, access to the exhibition spaces on all three levels has been opened up, such as the restoration of the suite of top-lit galleries on the upper floor, allowing more of the gallery's collection to be on show.

New display pattern

The new displays and exhibitions will follow a chronological pattern but will also focus on various themes and subjects in greater depth, exploring Scottish history and culture through the lens of the visual arts.

Touchscreen in Scottish National Portrait GalleryIndividual portraits – from Mary, Queen of Scots to Dr Who actor Karen Gillan – will be set in a broader context of thematic displays ranging from the Reformation to the present day.

Supported by loans from other collections, and by a fresh approach to information and interpretation, including trails, themes and an interactive touchscreen gallery, the new presentation of the permanent collection aims to help bring to life the portraits and the stories behind them, as well as exploring many facets of Scottish life and the nation’s wider influence throughout the world.

The displays are designed to change and evolve so that over time more works from the collection can be viewed.

John Leighton, Director-General of the National Galleries of Scotland, commented: “The new SNPG will be a superb setting to showcase rich traditions of Scottish art and photography; it is also a forum where issues of history and identity come to life through art; perhaps, above all, it is a place where individual and collective stories and memories come together to create a fascinating and imaginative portrait of a nation.”

James Holloway, Director of the Scottish National Portrait Gallery, added: “Scotland’s national portraits at last have a home worthy of them. Our great iconic building now looks tremendous and is the perfect showcase for our rich and unique collection.”

Photography

John Byrne and Sean Connery

The new Portrait Gallery will, for the first time, include a major space dedicated to showcasing the Gallery’s unparalleled holdings of Scottish and international photography, as well as newly commissioned work by contemporary photographers. The significance of photography will be emphasised throughout the Gallery, where it will be integrated into many of the displays.

On the ground floor, the Contemporary Gallery will bring the story up to date, with a series of displays from the Gallery’s collection of contemporary portraits, special loan exhibitions, and commissions from some of Scotland’s most celebrated contemporary artists.  

The inaugural display will feature Missing, a video installation by Graham Fagen, commissioned as part of a unique partnership between the Portrait Gallery and the National Theatre of Scotland.

Building Refurbishments

The refurbishment of the Gallery, a magnificent Arts and Crafts building designed by the celebrated architect Sir Robert Rowand Anderson, has been overseen by Glasgow-based architects Page \ Park. 

Their sensitive design has restored many of the building’s original features, which had been hidden behind an accumulation of twentieth-century interventions, while incorporating essential modern services, such as the great glass lift that will take visitors up through the heart of the building.

The remodeling of the ground floor has improved circulation for visitors, as well as providing an open and airy view along the entire length of the building.  Office space has been cleverly accommodated in a new mezzanine level and, for the first time there is an education suite, with a seminar room and studio space.  In addition, the Gallery’s ever-popular café and shop have doubled in size.

Energy saving

The refurbished Gallery will also make use of a number of pioneering techniques to save on energy consumption. Using the mass of the building, new insulation and sophisticated controls to permit slow changes over wider ranges of temperature and humidity, the gallery spaces will use 42 percent less energy that previously.  In addition, the Gallery will be lit by cutting-edge, low-energy LEDs (light-emitting diodes) which combine economy with excellent colour rendering qualities.

An extensive and dynamic learning programme complementing the new displays, called Portrait of the Nation: Live! will be an integral part of the re-invention of the SNPG.  This has been devised to engage a very broad range of visitors, both on- and off-site, as well as on-line.

The Gallery hopes to realise its vision of the Portrait Gallery as a unique, responsive and essential portrayal of Scotland that will stimulate, engage and build relationships with audiences both at home and abroad.

Funding for the gallery

The £17.6 million refurbishment has been funded by the Scottish Government, the Heritage Lottery Fund, the Monument Trust and a number of charitable bodies. In addition, donors have had the chance to sponsor historical figures in the frieze created by William Hole in the Gallery’s Great Hall; individual stars in Hole’s mural mapping of the night sky, which adorns the Hall’s ceiling; or to include a photograph in 'Put Yourself in the Picture', an electronic donor screen and online gallery.

First Minister Alex Salmond said: “The Scottish National Portrait Gallery celebrates well-known Scots from throughout the ages; whether they are some of our greatest thinkers or our modern actors and actresses.  All aspects of Scottish life and achievement are encapsulated in the many artworks which will now be displayed to their utmost as part of this ambitious £17.6m restoration project.  The improvements to the magnificent building will allow visitors to experience much of what architect Sir Robert Rowand Anderson envisaged in his original design as it continues to showcase Scotland’s greatest asset – its people.”