It may seem incredible that a 1930s musical showing the farcical shenanigans of the privileged few is still popular in the 21st century but when it arrives with the sumptuousness of this classy produc
Excitement builds for the latest audience of Vision Mechanics’ current site-specific production as they are guided through a dark forest with only torchlight for guidance.
With every seat taken, we were off to a rousing start with Mozart's four-minute-long Overture to The Marriage of Figaro before Peter Oundjian returned with microphone in hand.
In the week in which the McEwan Hall's fine organ is back in use after a significant restoration Tom Poulson and Calum Robertson began their lunchtime concert with a world premiere.
White Rabbit Red Rabbit is an interesting experiment, but it’s difficult to pin down precisely what - if anything - can be learnt from it.
The muse stripped bare.
The Scottish Chamber Orchestra launched its new season last night at the Usher Hall with two works that complemented one another superbly.
In his introductory remarks Tristan Gurney told us that they had not played the first piece before.
In another marking of the century since the start of WW1, Sell a Door Theatre Company has chosen to stage Alastair Cording’s adaptation of Sunset Song.
Today’s maze of social complexities is at the core of this fast paced funny piece about the result of rage when that ‘flame of pain’ fails to be extinguished after a relationship break-up.
To celebrate the forthcoming 500th anniversary of the Treaty of Paris the Edinburgh Singers plan a concert tour to Paris next June.
How to people behave when removed from society’s mores and are thrown to the claim of nature?
HeLa is the story of remarkable success and shocking failure that starkly demonstrates how basic human rights have been continually sacrificed on the altar of scientific progress.
Wagner's rousing Overture to his opera The Mastersingers of Nuremberg opened the Royal Scottish National Orchestra's 2014/15 season.
If you go down to the woods today, make sure it’s to Faskally Wood!
This is the 20th anniversary year of the Richard Alston Dance Company, renowned as a most innovative and dynamic ensemble, the legacy from Alston’s outstanding career with LCDT and Rambert.
Adapting a book to a play is challenge.
Performing for over ninety minutes to a near-capacity Queen’s Hall audience, Julie Fowlis confirmed her standing as one of our finest interpreters of Gaelic repertoire.
After six months of involvement, Citizen Curator is proud to announce the unveiling of a new Public Artwork by German born and Edinburgh based artist Andrea Geile.
This literary text-inspired double bill combines an evocative dramatisation of Ten Poems by Dylan Thomas and a timely re-imagining of Arthur Miller’s classic masterpiece, “The Crucible.”
It is a mark of the stature of an actor that he gets a round of applause just for stepping on the stage. It is unconventional when the stage is set for a play in which he stars but that was the reception that met the well- known figure of Simon Callow as he walked on to the white floor of the Brunton stage.