A Deerhoof song generally tends not to follow a straightforward, linear curve. They crash to halts almost as soon as beginning, before picking themselves up and careering off in other, suddenly more exciting directions. Then they bolt off somewhere new and elsewhere entirely. Twin guitars springboard around each other in full atonal axe mode, while the drummer seems to be on the verge of constantly exploding at his kit.
Live Music in Edinburgh
Over the last few years the rare and rising talent of local musician William Douglas has gradually but firmly imprinted itself on the consciousness of the Edinburgh music scene. Accompanied by his motley crew The Wheel, he’s built up a loyal and growing fanbase warming to his unique take on 60’s inspired folk, pop and rock. With a second album visible on the near horizon, this prolific singer songwriter is clearly on the ascendant.
The prospect of a rousing overture, the return of a brilliant young French violinist and a favourite symphony had most of the seats in the Usher Hall filled. The Royal Scottish National Orchestra was back under the command of its Music Director, Stéphane Denève, who had been conducting in North America for a few weeks. His exuberant talent of welcome and brief introduction to the music ahead was again clearly appreciated.
Free event at Edinburgh castle taking place at 1pm, 2pm or 3pm, in The Great Hall.
"It is a stunning show." EdinburghGuide.com's reviewer is rocked by We Will Rock You.
Vibrato was forbidden and the orchestra repositioned because, for this concert, Sir Roger Norrington was very much in charge. Speaking beforehand a double bassist who has been in the orchestra since 1974 said it had been one of the most interesting weeks of concert preparation in all his 35 years.
The elegant 17th century Canongate Kirk, situated in the Royal Mile, is a perfect location for a baroque concert and on Wednesday the Ludas Baroque Chamber Orchestra, founded and conducted by Richard Neville-Towle (the church organist), performed Bach's Christmas Oratorio.
A celebration of Scotland's spoken and musical traditions. Free, but booking required via web site
The GRV is a mass of piercings and blackness, awash with Edinburgh’s punk-goth contingency in varying stages of inebriation. Dry ice billows around the room, sweetly licking one’s nostrils. The air feels ripe with anticipation. But there is tension also. Curfew time is ticking ever closer and all we see is a prolonged technical display involving a disgruntled roadie wrestling with stubborn microphones.
St Andrew Square Garden is the venue for the Edinburgh Christmas Nativity Scene and Carol Concert, featuring a chorus from Exile Gospel Choir with support from St Peter’s Primary School Choir.