Theatre
Edinburgh Fringe Director Readies For Second Year of Festivities
As the clock ticks down to the Edinburgh Fringe, EG asks Fringe director Jon Morgan what we can expect this year. Morgan says, in spite of the credit crunch, and fears over a "breakaway" Comedy Festival, the Fringe appears to be appear in good health with around 2,000 shows coming to the city in August.
Evita Review
"Don't cry for me Argentina
The truth is I never left you
All through my wild days
My mad existence
I kept my promise
Don't keep your distance ..."
Blasts From the Past at 2008 Fringe
The Fringe may be about discovering new acts, new writing, and the raw talent of tomorrow's stars, but it is also a place where fading stars come to shine a little brighter and household names present themselves in new guises.
No Prime Minister: Gordon Brown Out of Favour In the Fringe
The Edinburgh Fringe rolled out its 2008 programme on Thursday, with cutting edge comedy, the light and dark side of the digital era and world politics - but a notable absence of satire on dour Gordon Brown.
The Wasp Factory Review
Edinburgh author Iain Banks’ disturbing seminal novel, first published 24 years ago, has not lost its ability to fascinate.
Yellow Moon Review
David Grieg's play Yellow Moon engages the audience from beginning to end. Following its run at the Edinburgh Festival Fringe last year (see review
Search is on for Perfect Princess for 3D Panto
The King's Theatre is on the look-out for the perfect princess for its christmas pantomime.
The Lion of Kabul
Children's theatre company Catherine Wheels have created a highly entertaining production with Gill Robertson's dramatisation of a true story.
The Wedding Singer Review
In the world of showbiz entertainment, many a successful Broadway stage show has been adapted into a hit movie - The Sound of Music, Cabaret, Evita et al. With The Wedding Singer it's the reverse order.
Royal Lyceum Theatre Announces 2008/2009 Season
The Royal Lycem Theatre has announced its new season of plays for 2008/2009.
Death Story Review
Alma Cullen is an Emmy and Bafta award winning screenwriter for television series such as Northern Lights, Inspector Morse and A Touch of Frost, but it's only in the last few years that she has dec
Nova Scotia Review
John Byrne’s trilogy of plays, The Slab Boys, (1978) Cutting the Rug (1979) and Still Life, (1982) followed the hilarious antics of Phil “James Dean” McCann, his best mate Spanky Farrell and the lascivious Lucille, in and out of the slab paint room of a Paisley carpet factory.
Trumpets and Raspberries Review
Nothing can be trickier or likely to split opinion than comedy. For people who love The Office there's another camp who equally enjoys Carry On while the nightmare of sitting through a Bill Bailey stand-up is unadulterated joy for another. This latest Lyceum production is sure to incite mixed emotions from its audience as it explores ludicrously chaotic humour.
Can We Live With You? Review
'Can We Live With You?' cry the McScott
family, on the run from the menacing Mr. Big Fish and his equally terrifying
Orestia Review
It's always a brave company that tackles Aeschylus trilogy of plays known collectively as 'The Orestia'.
The Mother Ship Review
We all have our own ways of dealing with situations, be it denial or invention, which stems from the resilient inner child in all of us. Stories and myths are integral to humans as a way of communicating when it’s hard to just speak the truth
Vanity Fair Review
Vanity Fair by William Makepeace Thackeray is said to be the only epic English novel to challenge comparison in scale and thematic scope to Tolstoy's War and Peace.
Static Review
"If only" and "I wish" are phrases that are uttered regularly, but it's only when they are used as a response to the shock of death that they are actually used with weight and consideration.
Six Characters in Search of an Author Review
When Luigo Pirandello's play Six Characters in Search of an Author was first staged in Rome in 1921, there was a minor riot with the audience divided into supporters and adversaries, the latter shouting "Asylum, Asylum" as the writer ran from the theatre.

