Live Music in Edinburgh
Music
For the Edinburgh Bach Choirâs final performance in their centenary year they performed in German the muchâŠ
This is the backstage Kinksâ story. The band that made the Swinging London Mod scene of the 1960s their own.
Itâs 50 years since Simon and Garfunkelâs âSound of Silenceâ hit the British charts. The duoâs deliriousâŠ
Thereâs always that fear when thereâs only one piece on the programme, and so no interval, that you areâŠ
The concert at the Queen's Hall began with Brahms orchestral Variations on a theme of Haydn, Opus 56a, StâŠ
In what can be known as Music Director's Pride, his Principal string players with Aleksei Kiseliov in frontâŠ
Microphone in hand, Thomas SĂžndergĂ„rd introduced an extraordinary successful concert to celebrate Scotland'sâŠ
The Intermezzo that opened Sibelius's Karelia Suite began with a distant horn which before long brought onâŠ
Premiered in 1952, âSinginâ in the Rainâ starring Gene Kelly, Debbie Reynolds and Donald O'Connor is stillâŠ
If you believe StĂ©phane DenĂšveâs opening words, and why shouldnât we - the nightâs programme was three worksâŠ
This was an evening of Russian music to start off a new season. There were no introductories from the newâŠ
This was the concert to celebrate the end of Thomas SĂžndergĂ„rd's first season as Music Director. It filledâŠ
There are many versions of the comedy we know as Cinderella but all relate to the unwanted daughter who findsâŠ
With Cats lurking around the side streets of Leith Walk ready to move in to the theatre and the Lion KingâŠ
The programme spanned centuries and began with âSolfeggioâ, an a cappella composition for a choir written inâŠ
Not everybody will have realised that the conductor for the night, Thomas SĂžndergĂ„rd, was appointed theâŠ
Typical of Russian orchestras they come on together, and leading them on to the stage is their concertmasterâŠ
This, the third of Hans GĂĄl's four opera was given its first performance in Breslau in 1926; severalâŠ
Sir James MacMillan conducted the BBC Scottish Symphony Orchestra in three works which had received theirâŠ
There was a Scandanavian feel to tonight's concert by the Scottish Chamber Orchestra, with both the GuestâŠ