Tales From The Golden Slipper

'A good earthly place to be, blessed by the hidden sun'. Thus the late George Mackay Brown on the shebeen known as 'The Golden Slipper', run by the redoubtable Willie Farquahar in the isolated community of Stenness among the Orkney Islands. Mackay Brown ought to have known, since he was there on probably more than one occasion.

'Tales of the Golden Slipper' is as much a celebration of a way of life and looking at the world which has vanished from many places, as it is about one individual's battle with conformity and bureaucracy. As the mock trial of Willie for selling drink without a liquor licence proceeds on its comic way, we begin to understand that it's a minor skirmish in an on-going struggle with a mind-set intent on applying the normative even where it's neither appropriate nor desirable.

In spite, and perhaps because of this, 'Tales from the Golden Slipper' remains a cheery wee number, its fine cast of community actors clearly enjoying the opportunity to reprise the success of Alan Plater's script, first performed as part of the St. Magnus Festival.

Willie Farquahar ran an unlicensed drinking establishment for many years, his later brushes with the law earning him the red-top accolade of 'Orkney's Al Capone'. Stenness is hardly Chicago, however, and Willie's principal crime seems to have been to thumb his nose at legality once too often. Although one suspects the play of taking a slightly rose-tinted look at its subject matter, the fact Willie's legend has long survived both premises and patron suggest Willie's good-hearted ebullience is more than merely Plater's conceit.

Graham Garson as Willie gives a fine performance which carries the show along, and he is ably aided and abetted (sometimes in more ways than one) by a cast working as a good community company should; supporting each other in driving the show forward. Jim Chalmers as 'George' and Iain Campbell as 'Ian' offer a finely drawn pair of squabbling pals, and if they remind any audience members of two deceased Islands poets, that would, of course, be their own business.

It's a little unfair, however, to single out individuals in what is clearly and very genuinely a community effort. Even if Plater appears a little unsure where he's taken us by the end of the show, the journey has still been an enjoyable one.

Time 10.15am, 13-17 August

Copyright Bill Dunlop 200, published on EdinburghGuide.com August 2007