Armida:
an opera by Gioacchino Rossini
Concert performance sung in Italian
Performers
Cecilia Gasdia (Armida); Bruce Ford (Rinaldo); Paul Austin Kelly (Ubaldo);
Kenneth Tarver (Gernando); Barry Banks (Goffredo); Darren Abrahams
(Eustazio); John Relyea (Idraote); Scottish Chamber Orchestra, Carlo
Rizzi (conductor); Scottish Opera Chorus, Fergus Shiel (Chorus master)
Venue Usher Hall
Address Lothian Road Edinburgh
Reviewer Kenny Morrison
This very male-heavy opera is a rarely performed gem. It doesn't contain
many great tunes, which, of course, Rossini is famous for, but it
is some of the most intricate and intelligently written Rossini I
have heard. It calls for six (!) solo tenors and has a great lead
soprano part, taking coloratura singing to a very high level. And
the cast was extremely well chosen. There were some worries beforehand,
expressed by members of the festival directorship, that Cecilia Gasdia
wouldn't be up to the role. She has been out of the limelight for
some time, and hasn't recorded anything for ages, but I think those
fears were basically unfounded. Her voice may not have been quite
powerful enough, especially next to the chaps, but there was such
sweetness about her tone that one could very easily forgive her that.
It was also another chance to hear John Relyea's incredible bass,
if you missed him in Les Troyens. I've rarely heard such a voice.
I think, with such power and such grace, he could sing just as easily
as a Russian basso profundo. All the male voices were really
wonderful. Barry Banks' emotive tenor may not be to everybody's tastes,
but was perfect in the role. The highlight for me, however, was Kenneth
Tarver. He had such perfect technique. A pure, finished, professional
and really very beautiful voice, I would love to hear more of him.
He sat completely still and, while singing, looked completely unemotional
but his voice was exquisite. Not a showman, perhaps, but then he really
doesn't need to be.
The Scottish Chamber Orchestra (though I'm sure they must be absolutely
exhausted, with such a busy schedule this festival) played very well.
Though I often think they can be a bit uneven, tonight they played
difficult Rossini with a very fine orchestral sound, and with a great
deal of poise and elegance.
So here's to serious Rossini. It's never played and there is some
very lovely music in it. Bruce Ford, tonight's Rinaldo, has just released
an album dedicated to it, so perhaps its profile is rising.
© Kenny Morrison. 27 August 2001
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