Edinburgh News: theatre
PASS Out is the final show for this year’s HND Acting and Performance graduates from Edinburgh College.
Faux Theatre’s Torn is a wordless and witty exposé of life after love.
Under glorious warm sunshine, the 7th Made in Scotland annual Fringe programme was launched in Edinburgh’s Royal Botanic Gardens on Wednesday 20th May.
Waves, by Alice Mary Cooper, is a beautiful story told with touching simplicity.
De Dansers, from Utrecht in the Netherlands, dance like no-one’s watching but ‘door Christ!’ you’ll be glad you did!
Immigration and emigration are words heard a lot these days. This show from Haderslev in Denmark tells a tale based on a Danish legend written by Nobel prizewinning author Johannes V.
Hup is a short and quietly beautiful piece of bespoke musical theatre for babies and toddlers up to 24 months.
The “…particularly thin elephant in the room” that this new play from Caroline Horton is tackling is a version of her own experience of and recovery from anorexia.
Seven years after its original inception, Donald Smith’s adaptation of Robert Louis Stevenson’s classic Scottish novel returns to the Scottish Storytelling Centre for two performances.
The anticipation in waiting for a show to start usually takes the form of waiting in a bright auditorium for the lights to dim and the proverbial curtain to rise.
Unicorn Theatre’s Henry the Fifth throws in a bit of history, a bit of Shakespeare and a lot of artistic licence to get the 2015 Imaginate Festival for children and young people off to a great start.
A lifelong fan of the works of P G Wodehouse, I was very much looking forward to tonight’s performance of Jeeves And Wooster: Perfect Nonsense at the Kings Theatre, Edinburgh.
As scores of teacher chastened school weans gather in the upstairs foyer to enter the auditorium of the Festival Theatre Studio, they are met by the two characters Henry and Bucket from Kilkenny theat
In the year of the Royal Lyceum Theatre Company’s 50th Anniversary, Mark Thomson announced that he is to step down from his role as Artistic Director.
Mermaid mixes the real with the supernatural in a modern reworking of Andersen’s classic fairy tale.
‘It’s Peter Pan made funny because it goes wrong’ – overheard explanation of the storyline by one young audience member to their younger sibling, which is as concise an exposition of ‘Peter Pan Goes W
Touring Consortium Theatre Company delivers Arthur Miller’s A View From The Bridge with a powerful punch.
What is there left to say about an already award winning production based on an award winning book?
Confused? They certainly will be…
‘I would not say that Yiddish is dying, nor would I say that it is alive’ was how Nobel Prize winner the late Isaac Bashevis Singer responded to the question of how it felt to be writing in a ‘dead’ l
Sue Glover’s 1988 play The Straw Chair is a weaving of two feminine tales.