Magic of Motown, Edinburgh Playhouse, Review

Rating (out of 5)
4
Show details
Production
Michael Taylor (Director & Producer), Martin Spooner (Technnical Manager), Paul Roberts (Production Manager), Easy Productions (Lighting)
Performers
Andre Lejaune, Natasha Burnett, Bueka Uwemedimo, Ryan King, Bevin Sutherland, Michael Ralph, Rebecca Freckleton, Mercedes Ramirez
Running time
150mins

The Magic of Motown is a non-stop party of hit songs, fabulous costumes, slick moves and superb musical performances - from both the singers and the band.

Each one of the many costume changes made a dazzling statement, but this group of polished performers managed to sizzle right back, effortlessly upholding Berry Gordy Jr.’s paradigm of ‘elegant, professional and choreographed young men and women’.

The elaborate musical production, so intrinsic to the Motown sound, was exemplified within this terrific band that smoothly incorporated the necessary rhythmic, sax-heavy brass section with the requisite funky bass line.

From the tightly crafted R&B-pop tunes of The Supremes through to the grittier, more socially aware jazz soul of Marvin Gaye and Stevie Wonder, the four male and three female singers rocked the house with hit after Motor-City-rocking hit.

In the auditorium the feeling of anticipation was palpable and as the houselights dimmed the place erupted. Ain’t No Mountain High Enough opened the show and by the time we were three songs in just about everyone, from stalls to upper circle, was up on their feet and grooving on down. Following the great tradition of the call and response singing style that originated in gospel music, the mike was at times aimed at the audience, who didn’t disappoint.

The girls performing The Supremes were stylishly authentic, with Natasha Burnett as Diana Ross looking every inch the diva in a scarlet feather boa while her singing raised the roof. Other numbers saw the guys performing tight harmonies while executing some slickly synchronised dance routines, taking it in turns to sing out front. Although the lead was mostly taken by Andre Lejaune, the others were all equally impressive.

There was a brilliant acapella of Under The Boardwalk and during the second half Andre Lejaune did a superb Stevie Wonder, but probably the highlight was the four guys, with Natasha as Michael, doing the Jackson 5. Wearing massive afros and MC Hammer harem pants, they sang a medley of hits that demonstrated the wit and humour that mingled seductively with the brutal talent held within this show.

As they took their bows most of the audience were up on their feet to show their appreciation for what had been a spectacular evening’s entertainment. Whether or not you think you like Motown, if you do like live music with a raw party atmosphere, performed with a sophisticated polish, then you will love this.

Show at Edinburgh Playhouse on 4 March 2011. Tour includes Clyde Auditorium in Glasgow on 7 May 2011.