City Guide to Edinburgh, Scotland

City Guide to Edinburgh, Scotland

Dance


Richard Alston Dance Company, Festival Theatre Edinburgh, Review

Tonight’s performance opens with a personal appearance from Richard Alston himself, introducing a youth dance company he’d spotted at the U Dance Festival, in Birmingham, earlier this year.

COAL, Traverse Theatre, Review

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In the programme notes for Coal Yorkshire born dance artist and choreographer, Gary Clarke says, “It’s not meant to be a political show, nor is it meant to be provocative.” Nothing could be

Scotland's creative ageing festival Luminate is five and going strong!

Luminate was created to address the issue of improving the quality of life of our ageing population.

Edinburgh International Festival Ends 70th In Robust Form

Virgin Money Fireworks concert 2017 by Beth Chalmers

It opened with a Bloom and ended with a familar “Boom!”.

Here Comes Trouble, Dance Base, Review

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Up, two, three, four, five, six, seven… Leap, two, three, four, five, six, seven… Kiera Martin begins her tale donning a feis competition dress half-unzipped and a bright blonde curly wig slightly awr

Creature, C South, Review

Creature

This is an extraordinary show, dance given another dimension, the physicality taken to another level. An aerial show implies tricks and 'daring performance'.

EIF 2017: Rain, Edinburgh Playhouse, Review

Rosas company, Rain, EIF

First staged in 2001, “Rain,” choreographed by Anne Teresa de Keersmaeker is now a signature work for Rosas, her contemporary dance company.

Velvet Petal: Bedroom, Summerhall, Review

scene from Velvet Petal:Bedroom - Scottish Dance Theatre

The allusive, illusory nature of choreography depicts through gesture and movement, human emotions and the drama of life.

Sexbox, Leith Volcano, Review

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Strange and familiar, perverted and liberating; it’s hard to know where to begin to describe Impermance’s Sexbox.

EIF 2017 - Nederlands Dans Theater, Edinburgh Playhouse, Review

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Nederlands Dans Theater (NDT) is synonymous with a risk-taking sense of rebellion, demonstrating, time and again, an absolute commitment to exploring new means of producing visceral physical expressio