The biggest arts festival in the world.
Edinburgh Fringe
At any other time of the year it would have looked an odd sight - a snake of folk in Thistle Street carryingā¦
In a sandbagged, water-filled and rat infested First World War trench three soldiers wait for the moment whenā¦
There is an incredibly wonderful influx of Australian comic talent at this year's Edinburgh Fringe and Nickā¦
Itās a cracker, for sure.
If it saves time, you are only likely to enjoy this show if you are under 23, preferably male and think thatā¦
Martin Creed won the prestigious Turner Prize in 2001 for āThe Lights Going On and Off (work 227).ā Asā¦
Ballet Ireland present a modern retelling of the classical ballet Giselle in the first ever full-lengthā¦
I had never heard of James Sherwood until this year. Flicking through the Fringe brochure, with a title likeā¦
It may not be the Sale of the Century, but the opportunity to see a production of āMiss Saigonā from Norwichā¦
Thereās nothing unusual these days about groups re-forming and touring with old material to bathe their fansā¦
Anything Goes - obviously it did in the 1930ās, allegedly the golden age of a certain type of musical.
Worth coming downtown to catch āWest Side Story'.
āAdler and Gibbā seems a departure from Tim Crouchās previous work.
Taki Maori has an intimacy that many shows on the Fringe lack, a small family of Maori and it is a family, aā¦
Pepperās Ghost is a 19th Century illusion that utilises projections and a two way mirror to create theā¦
We are lined up by a bossy drill instructor in the Nissen hut like venue. This is one of the characters whoā¦
This small, but international cast retells the story of Persephone: a Greek myth translated into a modernā¦
This comedy dramaĀ about a Fringe theatre company is actually based on real events which took place during theā¦
Japanese culture and art transposed into the context and frame of the Edinburgh Fringe can often create itsā¦
At only 19 years old, Rachel Sermanni has supported Mumford and Sons, KT Tunstall and Newton Falkner, and isā¦