Theatre at the <a href="/events/edinburghfringe">Edinburgh Fringe</a> and <a href="/events/eif">Edinburgh International Festival</a>.
Theatre
It's not every day that you see almost completely naked performers pull pieces of chocolate out from betweenâŠ
The sound is deafening as an Edinburgh-bound train rolls loudly across the Forth Rail Bridge.
âWhy are we given so much life?â asks Willy Russellâs Shirley Valentine. âThe Loungeâ poses the same questionâŠ
Barry McGovern, internationally renowned for his interpretations and performances of Beckett, was born andâŠ
Both celebrated actors in Brazil, Guilherme Leme teams up with co-director Vera Holtz in this deftâŠ
This is a fairytale of globalisation, corporate greed and of coming to terms with reality in a world gone mad.
It has been said that Alan Turing died while conducting a dangerous experiment - it was called, life.
A recording of the actual voice of Donald Trump using the sexual words that he described as merely âLockerâŠ
We enter what is currently designated âStudio Twoâ at the Assembly Rooms to find John Bett, already costumedâŠ
As we trudge through our muggy, too-hot-for-the-Scots-but-canât-complain summer Morna Pearsonâs new comedyâŠ
This is the second visit to Edinburgh for Lynn Manningâs engrossing one-man show, which tells the story ofâŠ
What happens when you put the Macbeths, Richard III and Juliet Capulet into a psychiatristâs chair? Dr BardâŠ
Quentin Crisp was a one-off, a complete original, and Mark Farrellyâs superb tribute cunningly captures CrispâŠ
Martin McCormick has a problem with his teeth â he lies through them. âTrust meâ, he asks the audience, allâŠ
Tim and Light is a tale about the nature of true friendship.
There is something deeply ancestral about the effect of unaccompanied Scottish psalms on even the mostâŠ
'Absurdity', 'Bizarre', 'Weirrrd!' 'The answers to the eternal questions.' These are the notes I wrote whileâŠ
A dramatisation of the life of Welsh vagabond poet W. H. Davies and his association with artist WalterâŠ
Following on from his success last year as part of an outstanding ensemble in the Assembly Roomsâ highlyâŠ
âFoolish man! Foolish foolish man! What I could have said was...What I should have said was...Why didnât IâŠ