City Guide to Edinburgh, Scotland

City Guide to Edinburgh, Scotland

Beauty and the Beast, EFT, Review


By Justine Blundell - Posted on 17 March 2012

4
Beauty sleeps in a rose
Show Details
Company: 
Northern Ballet
Production: 
David Nixon (choreography, direction, costume design), Duncan Hayler (set design), Tim Mitchell (lighting design),Julie Anderson (costume design assistant), John Longstaff (music arranger), John Pryce-Jones (music director), Geoffrey Allan (orchestra leader), Nathan Fifield (guest conductor).
Performers: 
Martha Leebolt (Beauty), Ashley Dixon (Beast), Kenneth Tindall (Prince Orian), Hironao Takahashi (Alfred, A Manservant), Dreda Blow, Michela Paolacci, Isabella Gasparini, Tobias Batley, Giuliano Contadini (Prince's Friends), Lori Gilchrist (La Fee Magnifique), Hannah Bateman (La Fee Luminiaire), John Hull (Beauty's Father), Christie Duncan, Abigail Prudames (Maids), Georgina May, Pippa Moore (Beauty's Sisters), Rachel Gillespie, Isabella Gasparini, Guiliano Contadi, Benjamin Mitchell, Martin Bell (Sister's Friends), Matthew Broadbent, Tobias Batley, Josh Barwick (Debt Collectors), Benjamin Mitchell, Guiliano Contadini, Josh Barwick, Nicola Gervasi (Goblins), Michela Paolacci, Rachel Gillespie, Christie Duncan, Isabella Gasparini (Sprites).
Running time: 
140mins

The magnificent Northern Ballet can always be relied upon to entertain at the highest level and once again they didn’t disappoint. This year’s offering was Beauty and The Beast, which provided a great opportunity to introduce the delights of ballet to a younger audience. Judging by the number of excited children milling about in the foyer, this was an opportunity that many agreed was too good to miss.

While following the traditional story of the fairytale, this retelling focused our attention on the psychological transformation of the Beast. In the first act, the handsome but haughty, vain and cruel Prince is changed by La Fée Magnifique so that his outward appearance is a better reflection of the ugliness inside. During acts two and three we witness his growing awareness and shame of the shallow creature he used to be, and his despair at the apparently ugly creature he has become.

When Beauty’s love finally saves him and he is outwardly transformed back into the beautiful prince he was, it is with the knowledge that this is may not have been possible had he not made the painful psychological transformation that first rendered him beautiful on the inside too.

As always, the complete ensemble was superb, from the choreography, set and lighting design through to each individual performer. Martha Leebolt as Beauty was inspirational but was matched on technique, style and characterisation by the fabulous Ashley Dixon as the Beast and the great Kenneth Tindall as the Prince. Having commented, after watching the Northern’s Cleopatra last year, on the unusually remarkable acting skills of this troupe of dancers, this was once again a salient feature that sets this company in a class of their own.

Alongside the breathtaking beauty and earnest honesty of the staging and performance, there were some surprising comic moments: for instance, the life-sized removal van that reversed on to the stage to take away everything Beauty’s family owned, including the clothes her sisters were wearing – leaving them in their underwear and the removal men themselves strutting on in sunglasses looking a little like the Matrix characters in tights, was both witty and fun.

For children from age 6-ish upwards, and for the uninitiated adult, this is a simply marvellous introduction to the sometimes inaccessible language of dance. For the rest of us, it is simply another incredible Northern Ballet triumph, just as we have come to expect.

Edinburgh run ends tonight 7.30pm