The Festival of Politics is a populist, accessible festival set in the Scottish parliament at Holyrood. The festival pulls together talks, debates, film screenings, music, food, and exhibitions.
Live Music in Edinburgh
Edinburgh's Christmas season launches on the second last Sunday of November, with the first in a series of Christmas light nights.
A new six-day festival with a range of activities and entertainment centred around Scotland's national bard Robert Burns.
The Burns&Beyond Festival which had its inaugural year in January of this year will be returning in January 2020 with a Festival Club at the Assembly Rooms fe
Seven out of the twelve gigs in Edinburgh International Festival's contemporary music strand sold out this year, with a total audience of 13,500
It was the most perfect of summer evenings to celebrate the ending of another fine Edinburgh International Festival. Entering the Gardens from the St Cuthbert's Steps, the audience seemed larger than it has ever been. Regulars had been arriving in good time to get a view from the grassy slope that is not interrupted by trees. This year more than ever; many were having to watch through the branches. But there was an eager expectation and only slight frustration of a seven minute delay in the start of the concert.
The Usher Hall was full to watch Sir Simon Rattle conduct his London Symphony Orchestra in a programme of two works, both of about an hour in length. The large Orchestra was to play what we might consider a traditional symphony in its form as well as a more modern symphony-length work.
Britten’s War Requiem was commissioned for the opening of Coventry Cathedral following the destruction of an earlier building by German bombs in November 1940. Edinburgh architect Basil Spence was a popular choice as architect, whilst there was considerable concern over the choice of Benjamin Britten for the music for its opening. Britten was not only homosexual but as a pacifist had fled to America for the early years of the Second World War.
The fundamentals of human existence – three quasi rituals, one fascinating show.
Fitch’s powerful opener was both energised and energising, in many ways a paradox: a manifesto of hope yet set in the midst of the apocalyptic. Their work, ‘Revelations’ took us to the uttermost extremities of the post-modern world and challenged the very values humankind had presupposed: “all gold is fool’s gold", “the drink that ends in thirst”. Throughout, the ‘poisoned, parched shrivelled earth’ is used as a metaphor for the human soul and spirit.
Birds of Paradise produced Purposeless Movements back in 2016 to address a specific medical description of CP: "Which of our movements are purposeless?" The production dives into what it means to be a man living with Cerebral Palsy. Four professional actors with varying intensity of the condition present their perspective in an open, funny and poignant manner.